When checking a constant stream of MCM Australian Homes as they pop up on the market we can sometimes get a little complacent about just how innovative and in-tune with our emerging lifestyle many of these designs were, but nothing brings it back into sharp focus quite like one from an undisputed master. ‘Bridgford House’ was Robin Boyd’s most expensive commission to date when undertaken in 1954, at the behest of wealthy boatie Charles (& wife Phyllis) Bridgford. Sitting on a corner allotment this is only its second time on the market and (thanks Steven Coverdale for the historical pics and info) we can note the current owners have undertaken a beautifully skilful revival with a contemporary architect – oh so light and delicate, in keeping with the truest sensibilities of Boyd’s early domestic catalogue. It is also with a recurring knot of sadness at the loss of Boyd so young, that we pour over every room with the sheer cleverness of his craft on view; the inbuilt cabinetry, dividing kitchen shelving, that wild indoor to outdoor dining table, groundbreaking walls of glazing, those stunning bedrooms – not hanging their attractiveness on large footage but rather on utility, light, formation and the unadorned beauty of raw materials – honestly we could look at this house all day and find something startling and elegant to gush over every time. The one recurring minor note to this tune is the question fate and future, for this prized residence sits in a now very ‘aspirational’ area where those with money far in excess of their cognitive skills race to build ever more bloated monuments to vapid consumerism and self-loathing and this home has no protection, heritage or otherwise, of any kind. It could be that in the wrong hands this home is dust by Christmas 2018 and a McMansion by Easter 2020. We cannot allow this to happen. We all must find a new custodian of this uniquely beautiful and notable residence ASAP!